Sunday, April 10, 2016

Flaccid Vernacular



I wrote you a poem, it looked
a lot like this until I turned
the radio off. Shut the past up. As if
I willed them into appearing just as a reminder. This palpable
rebeginning. This ending that won't shut up.

Come to think of it that's not such a bad idea. An ending
that looks a lot like this until
I'm the same size as everyone else. Until I turn the radio off.
Until the past diminishes. Put it all down.

I gloss over this, which I would give to you:  extenuated.

Of course the breath is amplified, a palpable disgrace, there's
a word for that you know. Boring landscape, you're supposed to care
about

several
    severed
        instances
(I was supposed to call)

Don't take me there, I don't want to "watch"
"love" or "crime." As if I willed them into appearing:  skin
            is boring. The ending terrifies me. I gloss over this.

Someone meant it though, this palpable newness and I'm tired of being in charge:
            extenuated.
Wait for it—

your sideways heart.


Stars



I don't just like them, they're
integral to who we are. Who we were. Let me
look this up. Your desire, that only
your animal friends will ever know, is not
such a bad idea. Your ideas's not so bad either. Anyone
who drives this bus today changes their name. Anyone who
loves you. The thing itself
sometimes itches. The thing, now that I'm the same size
as almost everyone else, is not architectural. Yes, this
terrifies me. The icon moving on the map which is now, temporarily,
me. Yet another name
when you're alone. Exclamation point and the light is dim.

Some erasure is inevitable.